Summer at Last

Finally a couple of sunny days in a row. Sitting out in the shade after painting the terrace (again, finally). Busy few days — flew up to Edinburgh on Friday to take a brief from Leith, which was my first flight from City Airport. Only about 15 minutes by car from here, check-in 30 minutes before flying, which mean that for an 0800 flight I could get up at 6am and still make it. And fabulous view from window seat banking out over docklands on the way up, beautiful adagio cloudscapes over the Thames estuary flying back in the evening. …

Vivid

Busy week. Have been in Amsterdam (lovely) and South of France (also lovely). On Sunday we went to a hifi show in the wasteland hotels near Heathrow airport. Many average or averagely good things, and we ended up short of time, so didn’t get to see everything. But the standouts, by far were the Avantgarde Duo and Vivid speakers. The Duos demonstrated (at least from vinyl, through decent valve amplification) the most transparent sound I’ve ever heard. The Vivids, on the other hand, seemed ready for absolutely anything — not as ætherial as the Duos, but as happy with every …

Anubis and Other Automata

Since the 80s, Paul Spooner, Matt Smith and a few like-minded craftspeople have been turning out hand-cranked wooden automata which are in varying degrees witty, dark, twee and incredibly intricate. Once upon a time, their work lived at the Cabaret Mechanical Theatre in Covent Garden, now long-gone. Since then I had lost track of the whole scene, but according to the Observer last weekend, this stuff is now considered very collectable. There’s a retrospective starting at Gallery 27 in Cork Street on September 20th. Evidently Spooner’s intricate mechanisms are inspired by the four-volume Ingenious Mechanisms for Designers and Inventors, edited …

A Changed World

Last night we went to the private view of A Changed World, an exhibition of work by second year students in an experimental printmaking course, at the Bankside Gallery. Some nice things, including this pig in a poke [2013: image lost], and a video by Sara Yaghubi, which features some good hair. Lots of people taking pictures, with all manner of devices, of the art and each other in equal measure… wonder if the moblogging thing is really happening, or if not, where all those images end up … (photo by Anne-Fay).

But The Big Fast Things Are Perfect: Appleseed

We were at the ‘World Sneak Preview’ of Masamune Shirow’s Appleseed at the ICA tonight. Complimentary sake and sushi, a lovingly-prepared but very silly flipchart presentation from the producer about the politics of the world in which it is set, then the film. The technique is impressive — the city of Olympus is beautifully rendered, the battle set-pieces are fluidly choreographed and edited, the whole nicely balancing genre conventions and virtuoso hyper-realism. Although the first few minutes owe too much to The Matrix-meets-Avalon, and in parts (to my eye) the human characters suffer somewhat from traditional anime styling, Appleseed is …

Decasia Sub

My DVD of Decasia arrived today. I’m watching it tonight with the sound off (I haven’t bothered repatching since the Bryston went back). Very nice, although the print has quite a few transfer artifacts, which is a little ironic. I had forgotten that I still had my active subwoofer connected, which adds a certain something a few minutes after the nuns…

9B

For a couple of years, my main CD source has been my Theta Data Universal Transport — a laserdisk/CD player from the early 90s. Fed through a Meridian 518 for dejittering and upsampling to 24-bit, it has always sounded good through my Yamaha DSP-AX1 amp. But recently, I’ve started to feel it’s been missing something at the top end. Conversely, CDs played on my Arcam FMJ DV27 have sounded mechanical, with a lack of warmth in the bass, and overbright, unrefined treble. Assuming that the Theta’s failings at the top were probably simply masking the limitations of the Yamaha’s power …

The Fourth Dimension

I first saw Rybczynski’s Tango, I Can’t Stop and some of Orchestra on the ABC’s Sunday Spectrum strand on TV back in the 80s in Tasmania (the original Sunday Spectrum doesn’t even rate a mention on the ABC website, but it was really important at the time. I seem to remember the work of Rybczynski, Michael Snow and Ed Emshwiller all being shown within the same month. Revelations.) I’ve been hunting The Fourth Dimension since Tokyo. Tim saw it at (I may be wrong) Image Forum, and made it sound a thing worth tracking down. That was probably 13 years …

A History of Colour Systems

John Gage recounts the story told by the painter William Williams in 1787 about an entomological illustrator who, “living in a remote country, unacquainted with artists, or any rational system of colours, with a patience that would have surmounted any difficulties, had collected a multiplicity of shells of colour, of every various tint that could be discerned in the wing of that beautiful insect [the butterfly]; for he had no idea that out of two he could make a third, by this method he had collected two large hampers full of shells, which he placed on each side of him, …

Goodbye Blue Jam

Yesterday, Tsai Ming-liang’s short The Skywalk is Gone and feature Goodbye Dragon Inn at the London Film Festival. I’ve seen his The Hole before, and wasn’t impressed, but these, yesterday, were something special. There are plenty of reviews of them around, pointing out the influences of Tati, Antonioni and the rest. But to me, the spirit of both films was more in the vein of Chris Morris: the long, weird scene with the smoking man at the row of urinals, the sinuous, nut-crunching girl, and much else in the feature, and the dénouement (if you could call it that) of …