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‘Special Relationship’

Just in case anyone missed it, a few of the requests that the US has made for protecting President Bush during his state visit to London this week: immunity from prosecution should any Secret Service agents kill anyone (or, indeed, everyone), shutdown of the London Underground system, use of miniguns for crowd control (!), and a sterile zone patrolled only by US personnel. These requests have all been turned down by the UK government. The jury is still out on whether they will shutdown the mobile phone networks to stop those sneaky terrorists using peer-to-peer to organise their movements. Given …

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Ambient Orb

Tim points this one out. This is exactly what I mean by glanceware. That it is entirely non-linguistic is even better. Know that you know something, without necessarily being aware how you know it. Their Stock Orb is exactly what I was proposing here.

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Brand Seduction/spambod

There’s a lot of hype surrounding the current crop of Social Networking applications (LinkedIn, Friendster, Huminity etc.) But I’m wondering about a couple of issues. The first, is that there are too many of these systems, with no common architecture. How many times do I want to have to code my social network? Possibly once, probably not at all — let the software work it out for itself. Which is why I think Friend-Of-A-Friend architectures, which allow various spiders to work out the links for themselves, are ultimately better than an archipelago of unlinked proprietary systems. The other concern is …

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The Pressure of Thoughts

It is not certain what physical, chemical or neural mechanism causes or generates the changes in air pressure in or near the ear in response to various thoughts. It is hypothesized that various thoughts have varying intensities which cause involuntary muscle contractions or movements on a microscopic level in or near the ear, which generate pressure changes in or near the ear due to the compression of the air local to the ear. Nevertheless, regardless of the exact physical, chemical or neural mechanism, empirical testing has confirmed that thoughts generate small pressure changes in or near the ear of the …

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A History of Colour Systems

John Gage recounts the story told by the painter William Williams in 1787 about an entomological illustrator who, “living in a remote country, unacquainted with artists, or any rational system of colours, with a patience that would have surmounted any difficulties, had collected a multiplicity of shells of colour, of every various tint that could be discerned in the wing of that beautiful insect [the butterfly]; for he had no idea that out of two he could make a third, by this method he had collected two large hampers full of shells, which he placed on each side of him, …

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Goodbye Blue Jam

Yesterday, Tsai Ming-liang’s short The Skywalk is Gone and feature Goodbye Dragon Inn at the London Film Festival. I’ve seen his The Hole before, and wasn’t impressed, but these, yesterday, were something special. There are plenty of reviews of them around, pointing out the influences of Tati, Antonioni and the rest. But to me, the spirit of both films was more in the vein of Chris Morris: the long, weird scene with the smoking man at the row of urinals, the sinuous, nut-crunching girl, and much else in the feature, and the dénouement (if you could call it that) of …

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Petrescence

Agricola, the seventeenth-century metallurgist […] spoke of a juice (succus) that was a stone-forming spirit (lapidificus spiritus). Robert Boyle, one of the founders of modern chemistry, called it a “petrescent liquor,” from the Latin word petra, rock; and he thought there might be special juices for metals and other minerals […] There were moments in the sevententh century when no one could admit that fossils might be the records of animals that lived before Biblical creation […] It was supposed that “stone marrow” (merga) “dissolved and percolated” through the earth, sometimes forming bone shapes and other fossils. Alternatively, people thought …

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What Painting Is

I’ve been reading James Elkins’ (yes him again) What Painting Is. The book is about painting as the act of doing things with paint: the work towards the Work, as it were. Not about Art or Representation, or even stories about painters: the book tackles the viscous, tactile, impossible task of making something sublime through actions with oil, water, stone, pigment. There aren’t, he argues, art-critical ways of talking about painting at this level, and the book draws broadly from the language and practice of alchemy to navigate its way around these unspeakable things. Elkins’ face-to-the-canvas discussion of the physical …

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Monthly Archives

November 2003